Linda Seger

In the late 1960s, a researcher named Frank Barron explored the relationship of religion and creativity and whether being religious and/or spiritual had an effect on the artist. He interviewed Presbyterians, Episcopalians, and a Hindu, as well as a number of others. The interviews were quite straightforward until he talked about the Quaker artist. His writing about this artist took a different turn. It was as if he was stopped in his tracks and felt a different tone in this interview. Reading the interview was like reading a hush or silence or something that was going deeper in its connections. He says, “She spoke of the Quaker silences. She thinks everyone should be silent at special times. . . [She] was quite unusual in bearing and demeanor, and in her manner of talking. She spoke in a very low and even tone, and everything she said seemed to come up from depths. She was completely lacking in social front.” (Frank Barron, 1968)

Katie: I’ve worked for Linda Seger for six years, mainly doing her typing. Linda is not supposed to work at the computer because she has a neurological condition called dystonia, so she has hired me part time to do typing and office management. However, that is not my background. I have an M.A. degree in Early American Culture and a B.A. degree in Art History. Before working for Linda, I had a thirty-year museum career at various institutions, the most recent being the curator of the Colorado Springs History Museum. 

Bill Durland is one of our Quaker treasures. His vast knowledge in the fields of politics, theology, economics. philosophy, and government inform his new book, The Demise of American Democracy: Explaining the Crisis and What to Do about It. The book is further enriched by Durland’s personal stories, including seminal childhood events that led to his awakening to injustices, his time in the Virginia Legislature working for social justice, and his time as a Catholic and a Quaker.