In the late 1960s, a researcher named Frank Barron explored the relationship of religion and creativity and whether being religious and/or spiritual had an effect on the artist. He interviewed Presbyterians, Episcopalians, and a Hindu, as well as a number of others. The interviews were quite straightforward until he talked about the Quaker artist. His writing about this artist took a different turn. It was as if he was stopped in his tracks and felt a different tone in this interview. Reading the interview was like reading a hush or silence or something that was going deeper in its connections. He says, “She spoke of the Quaker silences. She thinks everyone should be silent at special times. . . [She] was quite unusual in bearing and demeanor, and in her manner of talking. She spoke in a very low and even tone, and everything she said seemed to come up from depths. She was completely lacking in social front.” (Frank Barron, 1968)
On Alternatives (March 2022)
