Part faux Republican presidential campaign, part art project, with its candidate drawn from Greek mythology, Cassandra 2020 resists categorization. It has taken the form of community conversations, performance protest, video art, and guerilla sign-drops. It has been supported by a constant flux of contributors and co-creators, many of whom are also Quaker. It has sparked amusement, concern, scorn, joy, connection, and most importantly, curiosity.
On Vision (January 2021)