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Liturgies of Empire, Liturgies of Resistance (abridged)

[The following text was drawn from a complete transcript of C. Wess Daniels’s keynote talk, which is published at: https://westernfriend.org/media/liturgies-empire-and-resistance]

On Teachers (September 2020)

Epistle of the Friends of Color Retreat 2020

To Friends Everywhere: We begin by remembering our ancestors who were strong enough to make a way for us. Friends of Color and their families met for Pre-Gathering Retreat on 26 Day through 28 Day Sixth Month 2020. This is the eighth year Friends of Color have met for our Pre- Gathering Retreat.  First-timers felt welcomed and validated.   This year, we met virtually with our largest attendance yet. There were 47 attendees, ranging in age from 11 months through 77 years from Canada, Mexico, Switzerland and the United States of America.

On Teachers (September 2020)

Abolish the Police

Jed Walsh and Mackenzie Barton-Rowledge are close friends who do police and prison abolition work together. They sent Western Friend a conversation about what abolition means to them, and how it fits into their lives as Quakers.

On Rules (November 2020)

Stuck in Punxsutawney, Again

Whether they are cheerfully sort-of-deist or in-fact, stone-cold, out-and-out Jesus Freaks, Quakers of a certain generation, across the spectrum, agree that the movie Groundhog Day is scripture. Today, with all of us living Groundhog Day all the time during COVID, Friends are advised to share this scripture with newcomers. “Here,” you want to say, “Just watch this on Amazon Prime about three times and see if it doesn’t go all meta on you.” The meta part, of course, is where it turns out we’re all Phil Connors, the protagonist of the movie, who is stuck in an endlessly repeating day and an endlessly repeating script.

On Rules (November 2020)

Cosmic Pockets (review)

If I knew nothing of Joann Boswell’s life, I would still enjoy her new book of poetry, Cosmic Pockets. It tugs at a reader’s elbows and whispers, “Are you ready for an adventure?” As the text on the front cover says, the book is written “for sci-loving skeptical mystics, mothers, feminists, all.”

On Rules (November 2020)

The Gathered Meeting

I began my spiritual journey toward “the gathered meeting” when my wife and I visited her youngest son in Durham, North Carolina, in January, 2018. While there, we attended Durham Friends Meeting one Sunday when maybe a hundred adults and thirty-five children were present. The meeting felt settled and centered. Early in the hour, someone offered a message about how important it is for Friends to follow the Light and be gathered, and about how important it is for Friends to take those two practices out into the world. The message was matter-of-fact, stated in words that were simple and direct. Several more messages followed, all of them tagging along with the first. I could feel that people trusted one another. I could feel that something huge was happening.

On Relevance (March 2021)

Towards Peace in Yemen

Early in January 2015, my world changed. My dad called to inform me that my cousin Muath Safi Yousef al-Kasasbeh, a Royal Jordanian Air Force pilot, had been captured and burned to death by the militant group ISIL – after Muath’s F-16 fighter aircraft malfunctioned and crashed over Syria. Although I had never met this cousin of mine, my heart pounded with grief, listening to the rage and despair in my father’s voice. He was devastated, and he vowed that Jordan would take revenge.

On Tricks (May 2021)

On Cliques

Semi-permeable membranes are essential to the flourishing of most organic life on Earth. From bacteria to civilizations, our lives exist within vibrant walls that delineate, protect, and provision us.

On Cliques (September 2021)

Creating out of Silence and Light

In the late 1960s, a researcher named Frank Barron explored the relationship of religion and creativity and whether being religious and/or spiritual had an effect on the artist. He interviewed Presbyterians, Episcopalians, and a Hindu, as well as a number of others. The interviews were quite straightforward until he talked about the Quaker artist. His writing about this artist took a different turn. It was as if he was stopped in his tracks and felt a different tone in this interview. Reading the interview was like reading a hush or silence or something that was going deeper in its connections. He says, “She spoke of the Quaker silences. She thinks everyone should be silent at special times. . . [She] was quite unusual in bearing and demeanor, and in her manner of talking. She spoke in a very low and even tone, and everything she said seemed to come up from depths. She was completely lacking in social front.” (Frank Barron, 1968)

On Alternatives (March 2022)