by Editor
by David Wright For the past fifteen years, I have been both a Quaker and a Sacred Harp singer. I have found the two practices to be consonant and mutually enriching, each enlarging and sustaining the other. Considering each through the lens of the other has helped me to learn and understand things about both of them. I have come to see Sacred Harp singing as representing an independent discovery and application of some of the truths experienced and professed by Quakers. The Sacred Harp, first published in Georgia in 1844, was one of hundreds of “shape-note” hymnals circulated in the 19...
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